DISCOVERIES

The following article was written by Titus Levi and appeared in the November, 1988 issue of Keyboard magazine.

"Every piece I do has a different approach to sound, rhythm, and other musical elements," John Trevethan observes. "That's why my music is experimental." Whatever it is, it's fun. Trevethan's style slides between rhythmically forceful new age, hip-churning techno-pop with an elusive funky edge, and dreamy electro-chant music with strong third-world overtones. It's sexy, heady, sensual, seductive, sweaty, uplifting, and refreshing. The textures are clear, though not oversimplified or mundane. The melodies are airy, but not forgettable. The rhythms can be fierce and effective, yet they're never rushed, because "I really try to think like a drummer. I go through the parts with my hands and feet to get a more human feel."

A year ago Trevethan moved to Nashville to further his opportunities in the music business. He describes the scene there as lively for all types of music, especially original work. The fact that the city is smaller than Los Angeles or New York is also an asset, in his opinion, because it allows him to stand out from the pack more easily. He found a collaborator in Nashville too- his wife Brenda, a reed player.

Even if he never lands a recording contract, Trevethan plans to continue with his music. He's released his own music before (with the Transmuters, on Crown Vetch Enterprises, 304 Clinton St., Greenville, PA 16125), and he's ready to do it again. "I play music because I love it," he explains. "I just want the music heard."

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